Formed by distorting a JPG from PublicDomainPictures
Source Firkin
Adapted from an image that was uploaded to Pixabay by Anerma.
Source Firkin
This was submitted in a beige color, hence the name. Now it’s a gray paper pattern.
Source Konstantin Ivanov
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
From a drawing in 'Jardyne's Wife', Charles Wills, 1891.
Source Firkin
High detail stone wall with minor cracks and specks.
Source Projecteightyfive
This was submitted in a beige color, hence the name. Now it’s a gray paper pattern.
Source Konstantin Ivanov
The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
A monochrome pattern from a tile that can be had by selecting the rectangle in Inkscaope and using shift+alt+i
Source Firkin
The image depicts a seamless pattern made using a bird's face.
Source Yamachem
A fun-looking elastoplast/band-aid pattern. A hint of orange tone in this one.
Source Josh Green
Prismatic Groovy Concentric Background 5 No Black
Source GDJ
Drawn in Paint.net and vectorised in Vector Magic
Source Firkin
A simple circle. That’s all it takes. This one is even transparent, for those who like that.
Source Saqib
To celebrate the new feature, we need some sparkling diamonds.
Source Atle Mo
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
Colorful Floral Background No Black
Source GDJ
You just can’t get enough of the fabric patterns, so here is one more for your collection.
Source Krisp Designs
Remixed from a drawing in 'Line and form", Walter Crane, 1914.
Source Firkin
From a drawing in 'A Life Interest', Mrs Alexander, 1888.
Source Firkin