Formed by distorting a JPG from PublicDomainPictures
Source Firkin
Zero CC tileable hard cover red book, scanned and made by me. CC0
Source Sojan Janso
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
The file was named striped lens, but hey – Translucent Fibres works too.
Source Angelica
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
This background image is great for using in web design or graphic design projects. And don't forget to visit the homepage. I frequently update this resource with fresh tileable backgrounds.
Source V. Hartikainen
You were craving more leather, so I whipped this up by scanning a leather jacket.
Source Atle Mo
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
This is so subtle I hope you can see it! Tweak at will.
Source Alexandre Naud
Background pattern originally a PNG drawn in Paint.net
Source Firkin
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
A seamless background pattern with impressed gray dots.
Source V. Hartikainen
Some more diagonal lines and noise, because you know you want it.
Source Atle Mo
From a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
Paper pattern with small dust particles and 45-degree strokes.
Source Atle Mo
Prismatic Curved Diamond Pattern 2 No Background
Source GDJ
White circles connecting on a light gray background.
Source Mark Collins
A pattern derived from part of a fractal rendering in Paint.net.
Source Firkin
No, not the band but the pattern. Simple squares in gray tones, of course.
Source Atle Mo
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin