A seamless pattern the starting point for which was a 'light rays' rendering in Paint.net.
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Zero CC tileable grass texture, photographed and made by me. CC0
Source Sojan Janso
Zero CC tillable hard cover red book with X shape marks. Scanned and made by me.
Source Sojan Janso
A background tile of dark textile. Made this a long time ago and just now decided to publish it.
Source V. Hartikainen
From a drawing in 'Artists and Arabs', Henry Blackburn, 1868
Source Firkin
To get the tile this is made up from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
An abstract Background pattern of purple twisty patterns.
Source TikiGiki
The starting point for this was drawn on the web site steamcoded.org/PolyskelionMaker.svg
Source Firkin
This is a remix of "geometrical pattern 01".
Source Yamachem
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
The name alone is awesome, but so is this sweet dark pattern.
Source Federica Pelzel
This ons is quite old school looking. Retro, even. I like it.
Source Arno Declercq
Psychedelic Geometric Background No Black
Source GDJ
A seamless pattern drawn originally in Paint.net by distorting a slice of background pattern 116 and copying the resulting triangle numerous times.
Source Firkin
From a drawing in 'Cassell's Library of English Literature', Henry Morley, 1883.
Source Firkin
Zero CC asphalt, pavement, texture, photographed and made by me. CC0 WARNING I FOUND A SEAM ON THIS TEXTURE
Source Sojan Janso
You know I love paper patterns. Here is one from Stephen. Say thank you!
Source Stephen Gilbert
From a drawing in 'Studies for Stories', Jean Ingelow, 1864.
Source Firkin
Prismatic Curved Diamond Pattern 4 No Background
Source GDJ
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin