Psychedelic Geometric Background No Black
Source GDJ
A simple bump filter made upon request at irc #inkscape at freenode. Made a screen capture of the making here: https://youtu.be/TGAWYKVLxQw
Source Lazur URH
Here's a brown background pattern with subtle stripes. I hope you'll like the color. If not, feel free to change it using an image editor, if you know how of course. Personally, I'm using GIMP to create these backgrounds.
Source V. Hartikainen
Inspired by a drawing in 'Kulturgeschichte', Freidrich Hellwald, 1896.
Source Firkin
A grid of squares with green colours. Since the colours are randomly distributed it is automatically seamless.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
This is so subtle: We’re talking 1% opacity. Get your squint on!
Source Atle Mo
Remixed from an image on Pixabay uploaded by Prawny
Source Firkin
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
From a drawing in 'Handbook of the excursions proposed to be made by the Lincoln Diocesan Architectural Society, on the 27th and 28th of May, 1857', Edward Trollope, 1857.
Source Firkin
I guess this one is inspired by an office. A dark office.
Source Andrés Rigo.
Prismatic Hexagonalism Pattern No Background
Source GDJ
Carbon fiber is never out of fashion, so here is one more style for you.
Source Alfred Lee
Prismatic Isometric Cube Extra Pattern No Background
Source GDJ
A new one called white wall, not by me this time.
Source Yuji Honzawa
A light brushed aluminum pattern for your pleasure.
Source Tim Ward
More carbon fiber for your collections. This time in white or semi-dark gray.
Source Badhon Ebrahim
A light gray fabric pattern with faded vertical stripes.
Source V. Hartikainen
A seamless tessellation pattern. To get the tile this is formed from, select the pattern in Inkscape and use shift+alt+i.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Number 1 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos