To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A seamlessly tileable pink background texture.
Source V. Hartikainen
Redrawn based on a drawing in 'По Сѣверо-Западу Россіи' Konstantin Sluchevsky, 1897.
Source Firkin
You know I love paper patterns. Here is one from Stephen. Say thank you!
Source Stephen Gilbert
Inspired by an image that was uploaded to Pixabay by geralt
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
Remixed from a drawing that was uploaded to Pixabay by DavidZydd
Source Firkin
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
From a drawing in 'Cassell's Library of English Literature', Henry Morley, 1883.
Source Firkin
Sometimes you just need the simplest thing.
Source Fabricio
Dark squares with some virus-looking dots in the grid.
Source Hugo Loning
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Inspired by a drawing in 'Poems', James Smith, 1881.
Source Firkin
Derived from a JPG that was uploaded to Pixabay by ractapopulous
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
A beautiful dark wood pattern, superbly tiled.
Source Omar Alvarado
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
The original enhanced with some gradients.
Source Firkin