More Textures
fishnet 02 #2473
 Dark  CC 0

This is a more minute version of "fishnet 01".The image depicts a seamless pattern of a fishnet with a plenty of fish.It may be a lucky charm for fishermen.

Source Yamachem

Leafy design 18 (colour)@2XaFloral design 96 (colour) #1787
 Green  CC 0

From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.

Source Firkin

Seamless Core Pattern #165
 Dark  CC 0

Seamless Core Pattern

Source GDJ

Background2@2X #477
 Wall  CC 0

rug texture background

Source Jilllio

Background pattern pink and colours #2032
 Colorful  CC 0

A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.

Source Firkin

Background pattern 265 #2081
 Dark  CC 0

Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892. The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i

Source Firkin

Brushed Alum Dark #65
 Dark  CC BY-SA 3.0

Because I love dark patterns, here is Brushed Alum in a dark coating.

Source Tim Ward

Tessellation 14 variant 1 #2530
 Grid  CC 0

A seamless pattern formed from a modified version of rwwgub's tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Green Gobbler #85
 Dark  CC BY-SA 3.0

Luxurious looking pattern (for a T-shirt maybe?) with a hint of green.

Source Simon Meek

Abstract Tiled Background Extended 7 #518
 Dark  CC 0

Abstract Tiled Background Extended 7

Source GDJ

wire-mesh fence seamless pattern #2492
 Grid  CC 0

The image a seamless pattern of a wire-mesh fence.I want you to use this pattern as a lower layer.

Source Yamachem

Prismatic Octagonal Background #439
 Noise  CC 0

Prismatic Octagonal Background

Source GDJ

Floral background 2@2X #430
 Wall  CC 0

Background formed from the original with an emboss effect

Source GDJ

Background pattern 225 (colour 5) #2323
 Blue  CC 0

Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.

Source Firkin