The Grid. A digital frontier. I tried to picture clusters of information as they traveled through the computer.
Source Haris Šumić
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Derived from an image that was uploaded to Pixabay by Darkmoon1968
Source Firkin
A large pattern with funky shapes and form. An original. Sort of origami-ish.
Source Luuk van Baars
Prismatic Geometric Tessellation Pattern 2 No Background
Source GDJ
This is a seamless pattern which is derived from a flower petal image.
Source Yamachem
Number 4 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Remixed from an image that was uploaded to Pixabay by Pixeline
Source Firkin
Oh yes, it happened! A pattern in full color.
Source Atle Mo
Inspired by the B&O Play, I had to make this pattern.
Source Atle Mo
This background pattern has futuristic look. So, maybe it could be used on websites or blogs dedicated to video games?!
Source V. Hartikainen
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Number five from the same submitter, makes my job easy.
Source Dima Shiper
Prismatic Polka Dots Mark II 3 No Background
Source GDJ
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
This is the remix of "blue wave-seigaiha".This is the flowers of pink silk tree which is called "nemuno-ki".About pink silk tree ,refer to here:https://jp.pinterest.com/pin/500744052301210439/
Source Yamachem
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Because I love dark patterns, here is Brushed Alum in a dark coating.
Source Tim Ward
A seamless pattern drawn originally in Paint.net by distorting a slice of background pattern 116 and copying the resulting triangle numerous times.
Source Firkin