More Textures
Seamless Prismatic Geometric Pattern With Background #264
 Dark  CC 0

Seamless Prismatic Geometric Pattern With Background

Source GDJ

Background pattern 336 #1721
 Pink  CC 0

Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.

Source Firkin

Seamless tile 4 #1812
 Red  CC 0

Not strictly seamless in that opposite edges are not identical. But they do marry up to make an interesting pattern

Source Firkin

stone filter pack #154
 Stone  CC 0

This pack of filters can help you adding a blocky overlay to objects. May come handy at drawing blocks of stone.

Source Lazur URH

Background pattern 226 (colour 3) #2318
 Colorful  CC 0

A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

plant pattern 01 #2507
 Unknow  CC 0

The image is a seamless pattern which is derived from a vine .Consequently, the vine got like dots via vectorization.The original vine is here:jp.pinterest.com/pin/500744052301410188/

Source Yamachem

Background pattern 290 #1932
 Dark  CC 0

To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Background pattern purple #1998
 Colorful  CC 0

Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i

Source Firkin

Background pattern 266 #2068
 Dark  CC 0

Remixed from a drawing in 'Some account of the Worshipful Company of Ironmongers', John Nicholl, 1866.

Source Firkin

White Sand@2X #20
 Light  CC BY-SA 3.0

Same as gray sand but lighter. A sandy pattern with small light dots, and some angled strokes.

Source Atle Mo

Prismatic Groovy Concentric Background 5 No Black@2X #468
 Dark  CC 0

Prismatic Groovy Concentric Background 5 No Black

Source GDJ

Tessellation 15 #2223
 Dark  CC 0

The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.

Source Firkin