A seamless pattern formed from a rectangular tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
From a drawing in 'Hyde Park from Domesday-Book to date', John Ashton, 1896.
Source Firkin
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
Derived from a drawing in 'Elfrica. An historical romance of the twelfth century', Charlotte Boger, 1885
Source Firkin
Prismatic Geometric Tessellation Pattern No Background
Source GDJ
This reminds me of Game Cube. A nice light 3D cube pattern.
Source Sander Ottens
This seamless web background texture looks like gray stone. It's great for using as a background image on web pages, or on some of their elements. Anyway, I hope you will find use for it.
Source V. Hartikainen
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
Embossed lines and squares with subtle highlights.
Source Alex Parker
From a drawing in 'Les Chroniqueurs de l'Histoire de France depuis les origines jusqu'au XVIe siècle', Henriette Witt, 1884.
Source Firkin
A browner version of the original weathered fence texture.
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
This one looks like a cork panel. Feel free to use it as a tiled background on your blog or website.
Source V. Hartikainen
A pattern formed from repeated instances of corner decoration 8. To get the basic tile select the rectangle in Inkscape and use shift+alt+i
Source Firkin
A new one called white wall, not by me this time.
Source Yuji Honzawa
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
Like the name says, light and gray, with some small dots and circles.
Source Brenda Lay
From a drawing in 'Real Sailor-Songs', John Ashton, 1891.
Source Firkin
From a drawing in 'Hubert Montreuil, or the Huguenot and the Dragoon', Francisca Ouvry, 1873.
Source Firkin