From a drawing in 'Real Sailor-Songs', John Ashton, 1891.
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Prismatic Curved Diamond Pattern 2 No Background
Source GDJ
I guess this is inspired by the city of Ravenna in Italy and its stone walls.
Source Sentel
These dots are already worn for you, so you don’t have to.
Source Matt McDaniel
8 by 8 pixels, and just what the title says.
Source pixilated
Formed by heavily distorting part of a an image of a fish uploaded to Pixabay by GLady
Source Firkin
Prismatic Abstract Geometric Background 4 No Black
Source GDJ
Based on an image that was uploaded to Pixabay by devanath
Source Firkin
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
From a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
Remixed from a drawing in 'Analecta Eboracensia', Thomas Widdrington, 1897.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A tile-able background for websites with paper-like texture and a grid pattern layered on top of it.
Source V. Hartikainen
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Prismatic Rounded Squares Grid 4 No Background
Source GDJ
Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Drawn in Paint.net using the kaleidoscope plug-in and vectorised.
Source Firkin
This metal background pattern resembles a metal plate with rivets. Solid rivets on a metal plate.
Source V. Hartikainen
From a drawing in 'Cassell's Library of English Literature', Henry Morley, 1883.
Source Firkin
Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle