From a drawing in 'Les Chroniqueurs de l'Histoire de France depuis les origines jusqu'au XVIe siècle', Henriette Witt, 1884.
Source Firkin
That’s what it is, a dark dot. Or sort of carbon looking.
Source Tsvetelin Nikolov
This is the remix of "Background pattern 115" uploaded by "Firkin".Thanks.
Source Yamachem
Prismatic Floral Background No Black
Source GDJ
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Prismatic Geometric Tessellation Pattern 2 No Background
Source GDJ
Prismatic Geometric Pattern Background 2 No Black
Source GDJ
I have no idea what J Boo means by this name, but hey – it’s hot.
Source j Boo
If you like it a bit trippy, this wave pattern might be for you.
Source Ian Soper
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Tiny little fibers making a soft and sweet look.
Source Badhon Ebrahim
Used a cherry by doctormo to make this seamless pattern
Source Firkin
Prismatic Basic Pattern 2 No Background
Source GDJ
From a drawing in 'Danmarks Riges Historie af J. Steenstrup, Kr. Erslev, A. Heise, V. Mollerup, J. A. Fridericia, E. Holm, A. D. Jørgensen', 1897.
Source Firkin
The image is a remix of "edo pattern-samekomon".I changed the color of dots from black to white and added BG in light-brown.
Source Yamachem
Remixed from a drawing in 'A Child of the Age', Francis Adams, 1894.
Source Firkin
A seamless canvas texture for using as background on websites. Colored in pale tones of brown.
Source V. Hartikainen
Remixed from a drawing in 'A Girl in Ten Thousand', Elizabeth Meade, 1896.
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin
Derived from an image that was uploaded to Pixabay by Darkmoon1968
Source Firkin
Super dark, crisp and detailed. And a Kill Bill reference.
Source Badhon Ebrahim
Same classic 45-degree pattern, dark version.
Source Luke McDonald