Used a cherry by doctormo to make this seamless pattern
Source Firkin
From a drawing in 'Handbook of the excursions proposed to be made by the Lincoln Diocesan Architectural Society, on the 27th and 28th of May, 1857', Edward Trollope, 1857.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Never out of fashion and so much hotter than the 45º everyone knows, here is a sweet 60º line pattern.
Source Atle Mo
Prismatic Curved Diamond Pattern 3 No Background
Source GDJ
A seamless pattern drawn originally in Paint.net by distorting a slice of background pattern 116 and copying the resulting triangle numerous times.
Source Firkin
Awesome name, great pattern. Who does not love space?
Source Nick Batchelor
You can never get enough of these tiny pixel patterns with sharp lines.
Source Designova
I love cream! 50x50px and lovely in all the good ways.
Source Thomas Myrman
An abstract texture of black metal pipes (seamless).
Source V. Hartikainen
Oh yes, it happened! A pattern in full color.
Source Atle Mo
A slightly grainy paper pattern with small horizontal and vertical strokes.
Source Atle Mo
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a drawing in 'Canadian forest industries July-December', 1915
Source Firkin
A seamless pattern that includes the original tile (go to Objects / Pattern / Pattern To Objects in Inkscape's menu to extract it).
Source GDJ
Prismatic Geometric Tessellation Pattern No Background
Source GDJ
A pale yellow background pattern with vertical stripes. The stripes are partially faded. I think this background image turned out pretty well, especially those faded stripes.
Source V. Hartikainen
A dark gray, sandy pattern with small light dots, and some angled strokes.
Source Atle Mo
Classic 45-degree pattern, light version.
Source Luke McDonald
Everyone needs some stardust. Sprinkle it on your next project.
Source Atle Mo
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor