More Textures
Wood Pattern #370
 Wood  CC BY-SA 3.0

One of the few full-color patterns here, but this one was just too good to pass up.

Source Alexey Usoltsev

Retina Wood #923
 Wood  CC BY-SA 3.0

I’m not going to use the word Retina for all the new patterns, but it just felt right for this one. Huge wood pattern for ya’ll.

Source Atle Mo

Background pattern 24 #198
 Dark  CC 0

The starting point for this was a texture drawn with the 'Radial Colors' plug-in in Paint.net.

Source Firkin

Circles #185
 Light  CC BY-SA 3.0

One more sharp little tile for you. Subtle circles this time.

Source Blunia

Background pattern 309 (colour 4) #1863
 Green  CC 0

Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.

Source Firkin

Background pattern 230 #2304
 Yellow  CC 0

To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

Background pattern 8 (greyscale) #210
 Dark  CC 0

Greyscale version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net

Source Firkin

Random Grey Variations #69
 Stripes  CC BY-SA 3.0

Stefan is hard at work, this time with a funky pattern of squares.

Source Stefan Aleksić

Concrete Wall 2@2X #80
 Wall  CC BY-SA 3.0

A light gray wall or floor (you decide) of concrete.

Source Atle Mo

Dark Denim #372
 Dark  CC BY-SA 3.0

Thin lines, noise and texture creates this crisp dark denim pattern.

Source Marco Slooten

Floral background 2 #380
 Wall  CC 0

Background formed from the original with an emboss effect

Source GDJ

Micro Carbon@2X #8
 Carbon  CC BY-SA 3.0

Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.

Source Atle Mo

Background pattern 221 (colour) #2346
 Yellow  CC 0

A seamless pattern formed from a tile made from page ornament 22. To get the tile, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Subtle Orange Emboss@2X #98
 Light  CC BY-SA 3.0

A hint of orange color, and some crossed and embossed lines.

Source Adam Anlauf