High detail stone wall with minor cracks and specks.
Source Projecteightyfive
A seamless gray background texture suitable for use on websites. To me, it has the look of stone. Feel free to modify it to meet your needs (by making it a bit lighter or darker, for example).
Source V. Hartikainen
A subtle shadowed checkered pattern. Increase the lightness for even more subtle sexiness.
Source Josh Green
Actually remixed from a pattern on Pixabay. But then noticed a very similar one on Openclipart.org uploaded by btj51q2.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
The image depicts a pattern of regular hexagon.As I made to use it for myself,I want to others to use it.Speaking about the ratio of the image, height : width = 2 : √3(1.732...)Ridiculous to say,I realized later that this image is not honey comb pattern.I have to slide the second row.
Source Yamachem
8 by 8 pixels, and just what the title says.
Source pixilated
Black And White Floral Pattern Background Inverse
Source GDJ
Remixed from a drawing that was uploaded to Pixabay by DavidZydd
Source Firkin
This was submitted in a beige color, hence the name. Now it’s a gray paper pattern.
Source Konstantin Ivanov
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin
Formed by distorting a JPG from PublicDomainPictures
Source Firkin
The tile this fill pattern is based on can be had by using shift+alt+i on the rectangle.
Source Firkin
From a drawing in 'Hubert Montreuil, or the Huguenot and the Dragoon', Francisca Ouvry, 1873.
Source Firkin
Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle
Semi-light fabric pattern made out of random pixels in shades of gray.
Source Atle Mo
"Beige Stone", Tileable Texture.
Source V. Hartikainen
Clean and crisp lines all over the place. Wrap it up with this one.
Source Dax Kieran
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin