You know you can’t get enough of these linen-fabric-y patterns.
Source James Basoo
It’s a hole, in a pattern. On your website. Dig it!
Source Josh Green
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
An alternative colour scheme to the original seamless pattern.
Source Firkin
From a drawing in 'Friend or Fortune? The story of a strange year', Robert Overton, 1897.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Wasn't satisfied with the original's colouring. Too much component transfer and colormatrixes yet the results are lacking a bit. So this time it is a simple black to transparent fade, making it possible remixing easily once there will be other blending modes supported as well. Probably in inkscape 0.92.
Source Lazur URH
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
It’s a hole, in a pattern. On your website. Dig it!
Source Josh Green
Just to prove my point, here is a slightly modified dark version.
Source Atle Mo
Pattern that came out of playing with the 'slinky' plug-in for Paint.net
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Used a cherry by doctormo to make this seamless pattern
Source Firkin
Recreated from a pattern found in 'Az Osztrák-Magyar Monarchia irásban és képben', 1882. To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
From a drawing in 'A Rolling Stone. A tale of wrongs and revenge', John Hartley, 1878.
Source Firkin
Has nothing to do with toast, but it’s nice and subtle.
Source Pippin Lee
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
More tactile goodness. This time in the form of some rough cloth.
Source Bartosz Kaszubowski