From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
A large pattern with funky shapes and form. An original. Sort of origami-ish.
Source Luuk van Baars
Fake or not, it’s quite luxurious.
Source Factorio.us Collective
Prismatic Groovy Concentric Background 2
Source GDJ
This reminds me of Game Cube. A nice light 3D cube pattern.
Source Sander Ottens
Formed by distorting a JPG from PublicDomainPictures
Source Firkin
From a drawing in 'A Guide to the Guildhall of the City of London', John Baddeley, 1898.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Clover with background for St. Patrick's Day. Add to a card with a doily, ribbon, a leprechaun or other embellishments.
Source BAJ
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
Abstract Stars Geometric Pattern Prismatic No Background
Source GDJ
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
Carbon fiber is never out of fashion, so here is one more style for you.
Source Alfred Lee
This is so subtle you need to bring your magnifier!
Source Carlos Valdez
The classic 45-degree diagonal line pattern, done right.
Source Jorick van Hees
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Prismatic Abstract Geometric Background 5 No Black
Source GDJ
From a drawing in 'Heroes of North African Discovery', Nancy Meugens, 1894.
Source Firkin
On a large canvas you can see it tiling, but used on smaller areas, it’s beautiful.
Source Paul Phönixweiß
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin