Prismatic Abstract Line Art Pattern Background 2
Source GDJ
From a drawing in 'Worsborough; its historical associations and rural attractions', Joseph Wilkinson, 1879.
Source Firkin
As simple and subtle as it gets. But sometimes that’s just what you want.
Source Designova
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Farmer could be some sort of fabric pattern, with a hint of green.
Source Fabian Schultz
Can’t believe we don’t have this in the collection already! Slick woven pattern with crisp details.
Source Max Rudberg
Super subtle indeed, a medium gray pattern with tiny dots in a grid.
Source Designova
Same as the black version, but now in shades of gray. Very subtle and fine grained.
Source Atle Mo
This one is rather fun and playful. The 2X could be used at 1X too!
Source Welsley
From a drawing in 'Studies for Stories', Jean Ingelow, 1864.
Source Firkin
Zero CC tileable grass texture, photographed and made by me. CC0
Source Sojan Janso
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
Uses spirals from Pixabay. To get the basic tile select the rectangle in Inkscape and use shift+alt+i
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Prismatic Polka Dots 3 No Background
Source GDJ
The classic 45-degree diagonal line pattern, done right.
Source Jorick van Hees
Alternative colour scheme for the original floral pattern.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Floral patterns will never go out of style, so enjoy this one.
Source Lasma
I love these crisp, tiny, super subtle patterns.
Source Badhon Ebrahim
A background formed from an image of an old tile on the New York Metropolitan Museum of Art website. To get the base tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin