Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Here's a new paper-like background for free use on personal and commercial projects (this applies to all background patterns here).
Source V. Hartikainen
The image depicts a seamless pattern of Japanese Edo pattern called "kikkou-matsu" or "亀甲松" meaning " tortoiseshell-pinetree".The real pinetree is like this: https://jp.pinterest.com/pin/500744052301065077/
Source Yamachem
Prismatic Curved Diamond Pattern 6 No Background
Source GDJ
Abstract Tiled Background Extended 12
Source GDJ
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat
A new one called white wall, not by me this time.
Source Yuji Honzawa
From a drawing in 'Les Chroniqueurs de l'Histoire de France depuis les origines jusqu'au XVIe siècle', Henriette Witt, 1884.
Source Firkin
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
The image a seamless pattern of a wire-mesh fence.I want you to use this pattern as a lower layer.
Source Yamachem
A yellow tiled background... Blurriness, bokeh effect and rectangles pattern in one mix.
Source V. Hartikainen
A hint of orange color, and some crossed and embossed lines.
Source Adam Anlauf
Inspired by a 1930s wallpaper pattern I saw on TV.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
This seamless web background texture looks like gray stone. It's great for using as a background image on web pages, or on some of their elements. Anyway, I hope you will find use for it.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
From a drawing in 'Artists and Arabs', Henry Blackburn, 1868.
Source Firkin