Abstract Tiled Background Extended 12
Source GDJ
Dark, square, clean and tidy. What more can you ask for?
Source Jaromír Kavan
Number 2 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Prismatic Geometric Pattern Background No Black
Source GDJ
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
ZeroCC tileable stone texture, edited from pixabay, CC0
Source Sojan Janso
A web texture of brown canvas. Will look great, when used in dark web designs.
Source V. Hartikainen
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
ZeroCC tileable beechwood wood texture, generated in Neo Texture Edit by me. CC0
Source Sojan Janso
Zero CC tileable Crackled Cement (streaks) texture, photographed and made by me. CC0
Source Sojan Janso
Prismatic Curved Diamond Pattern 5 No Background
Source GDJ
From a drawing in 'Uit de geschiedenis der Heilige Stede te Amsterdam', Yohannes Sterck, 1898.
Source Firkin
Prismatic Abstract Background Design No Black
Source GDJ
A yellow tiled background... Blurriness, bokeh effect and rectangles pattern in one mix.
Source V. Hartikainen
Number 1 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Prepared mostly as a raster in Paint.net and vectorised.
Source Firkin
A seamless pattern formed from background pattern 102
Source Firkin
Dark, square, clean and tidy. What more can you ask for?
Source Jaromír Kavan
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A hint of orange color, and some crossed and embossed lines.
Source Adam Anlauf
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Drawn in Paint.net using the kaleidoscope plug-in and vectorised.
Source Firkin
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor