Zero CC bark from fur tree tileable texture, photographed and made by me. CC0
Source Sojan Janso
An alternative colour scheme to the original seamless pattern.
Source Firkin
A hint of orange color, and some crossed and embossed lines.
Source Adam Anlauf
From a drawing in 'Jardyne's Wife', Charles Wills, 1891.
Source Firkin
Small dots with minor circles spread across to form a nice mosaic.
Source John Burks
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A seamless pattern formed from background pattern 102
Source Firkin
A monochrome pattern from a tile that can be had by selecting the rectangle in Inkscaope and using shift+alt+i
Source Firkin
Light and tiny, just the way you like it.
Source Rohit Arun Rao
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
From a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
Black paper texture, based on two different images.
Source Atle Mo
Based from Design Kindle
From a drawing in 'Codogno e il suo territorio nella cronaca e nella storia'', Gio and Giarella Cairo, 1897.
Source Firkin
This is so subtle I hope you can see it! Tweak at will.
Source Alexandre Naud
A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.
Source Firkin
Lovely pattern with splattered vintage speckles.
Source David Pomfret
Brushed aluminum, in a bright gray version. Lovely 2X as well.
Source Andre Schouten
Remixed from a drawing in 'A Girl in Ten Thousand', Elizabeth Meade, 1896.
Source Firkin
The Grid. A digital frontier. I tried to picture clusters of information as they traveled through the computer.
Source Haris Šumić
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
Dark, lines, noise, tactile. You get the drift.
Source Anatoli Nicolae
ZeroCC tileable moss texture, photographed and made by me. CC0
Source Sojan Janso
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin