Luxurious looking pattern (for a T-shirt maybe?) with a hint of green.
Source Simon Meek
From a drawing in 'La Principauté de Liège et les Pays-Bas au XVIe siècle', Société des Bibliophiles Liégeois ,1887.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
Prismatic Abstract Geometric Background 3
Source GDJ
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
Prismatic Geometric Tessellation Pattern 2 No Background
Source GDJ
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
Prismatic Isometric Cube Extra Pattern No Background
Source GDJ
A smooth mid-tone gray, or low contrast if you will, linen pattern.
Source Jordan Pittman
From a drawing in 'An Old Maid's Love. A Dutch tale told in English', Maarten Maartens, 1891.
Source Firkin
Number five from the same submitter, makes my job easy.
Source Dima Shiper
Submitted by DomainsInfo – wtf, right? But hey, a free pattern.
Source DomainsInfo
Seamless SVG vector and JPG backgrounds with faded diagonal stripes. The colors are editable.
Source V. Hartikainen
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
Derived from an image that was uploaded to Pixabay by TheDigitalArtist
Source Firkin
You could get a bit dizzy from this one, but it might come in handy.
Source Dertig Media
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.
Source Firkin
A version without colours blended together to give a different look.
Source Firkin