From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
Dark, lines, noise, tactile. You get the drift.
Source Anatoli Nicolae
A topographic map like this has actually been requested a few times, so here you go!
Source Sam Feyaerts
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin
I love the movie Pineapple Express, and I’m also liking this Pineapple right here.
Source Audee Mirza
Fake or not, it’s quite luxurious.
Source Factorio.us Collective
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
A seamless background colored in pale orange. It has a paper like texture with diagonal grid pattern.
Source V. Hartikainen
Same classic 45-degree pattern, dark version.
Source Luke McDonald
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
Simple wide squares with a small indent. Fits all.
Source Petr Šulc.
Looks a bit like concrete with subtle specks spread around the pattern.
Source Mladjan Antic
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
A grid of squares with green colours. Since the colours are randomly distributed it is automatically seamless.
Source Firkin