A new one called white wall, not by me this time.
Source Yuji Honzawa
A seamless pattern the starting point for which was a 'colour modulo' texture in Paint.net.
Source Firkin
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
This was submitted in a beige color, hence the name. Now it’s a gray paper pattern.
Source Konstantin Ivanov
Never out of fashion and so much hotter than the 45º everyone knows, here is a sweet 60º line pattern.
Source Atle Mo
This one has rusty dark brown texture.
Source V. Hartikainen
Derived from an image that was uploaded to Pixabay by mdmelo.
Source Firkin
This background pattern has futuristic look. So, maybe it could be used on websites or blogs dedicated to video games?!
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A background pattern with blue on white vertical stripes.
Source V. Hartikainen
Remixed from a design on Pixabay. To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Not the Rebel alliance, but a dark textured pattern.
Source Hendrik Lammers
From a drawing in 'Real Sailor-Songs', John Ashton, 1891.
Source Firkin
This background pattern contains a texture of yellow wood planks. I think it looks quite original.
Source V. Hartikainen
The image depicts a seamless pattern which includes hexagonally-aligned gourds with BG in light-brown.
Source Yamachem
The tile this fill pattern is based on can be had by using shift+alt+i on the rectangle.
Source Firkin
Derived from a corner decoration itself found as a jpg on Pixabay.
Source Firkin
Bit of a strange name on this one, but still nice. Tiny gray square things.
Source Carlos Valdez
A nice and simple gray stucco material. Great on its own, or as a base for a new pattern.
Source Bartosz Kaszubowski
Mostly just mucked about with the colours and made one of the paths in the lead frame opaque. The glass remains transparent.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin