From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
More in the paper realm, this time with fibers.
Source Jorge Fuentes
Prismatic Rounded Squares Grid 3 No Background
Source GDJ
From a drawing in 'Navigations de Alouys de Cademoste.-La Navigation du Capitaine Pierre Sintre', Alvise da ca da Mosto, 1895.
Source Firkin
Black paper texture, based on two different images.
Source Atle Mo
Based from Design Kindle
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
Prismatic Floral Background No Black
Source GDJ
Remixed from a drawing in 'Prehistoric Man: researches into the origin of civilisation in the old and the new world', Daniel Wilson, 1876.
Source Firkin
Not the Rebel alliance, but a dark textured pattern.
Source Hendrik Lammers
A seamless pattern formed from background pattern 102
Source Firkin
Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.
Source Firkin
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A gray background pattern with a texture of textile. Suits perfectly for web design.
Source V. Hartikainen
High detail stone wall with minor cracks and specks.
Source Projecteightyfive
Zero CC Mossy stone tileable texture, photographed and made by me. CC0
Source Sojan Janso
Remixed from a vector adapted from a jpg on Pixabay. The tile this is constructed from can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
Vector version of a JPG that was uploaded to Pixabay by theasad121
Source Firkin
Psychedelic Geometric Background No Black
Source GDJ
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin