From a drawing in 'A Life Interest', Mrs Alexander, 1888.
Source Firkin
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
Background Wall, Art Abstract, Watercolor Vintage style CC0 texture.
Source Ractapopulous
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Background Wall, Art Abstract, Block Well & CC0 texture.
Source Ractapopulous
Floral patterns will never go out of style, so enjoy this one.
Source Lasma
Remixed from a drawing in 'Some account of the Worshipful Company of Ironmongers', John Nicholl, 1866.
Source Firkin
This one needs to be used in small areas; you can see it repeat.
Source Luca
From a drawing in 'Kingsdene', Maria Fetherstonehaugh, 1878.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Continuing the geometric trend, here is one more.
Source Mike Warner
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
Mostly just mucked about with the colours and made one of the paths in the lead frame opaque. The glass remains transparent.
Source Firkin
Derived from a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Dark Tile-able Grunge Texture. I think this texture can be classified as grunge. It's free and seamless, as always.
Source V. Hartikainen
Same as gray sand but lighter. A sandy pattern with small light dots, and some angled strokes.
Source Atle Mo
The Grid. A digital frontier. I tried to picture clusters of information as they traveled through the computer.
Source Haris Šumić
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
The image is a remix of "edo pattern-samekomon".I changed the color of dots from black to white and added BG in light-yellow.
Source Yamachem
Nice little grid. Would work great as a base on top of some other patterns.
Source Arno Gregorian
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
Classic vertical lines, in all its subtlety.
Source Cody L
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin