Feel free to download this "Dark Wood" background texture for your web site. The background tiles seamlessly!
Source V. Hartikainen
Psychedelic Geometric Background No Black
Source GDJ
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
This reminds me of Game Cube. A nice light 3D cube pattern.
Source Sander Ottens
Green Background Pattern
Source V. Hartikainen
A seamless pattern the starting point for which was a 'colour modulo' texture in Paint.net.
Source Firkin
Seamless pattern made from a tile that can be obtained in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Alternative colour scheme for the original floral pattern.
Source Firkin
Abstract Geometric Monochrome Pattern Prismatic No Background
Source GDJ
A seamless background colored in pale orange. It has a paper like texture with diagonal grid pattern.
Source V. Hartikainen
Zero CC bark from fur tree tileable texture, photographed and made by me. CC0
Source Sojan Janso
If you want png files of thisu can download them here :
Source Viscious-Speed
Prismatic Isometric Cube Extra Pattern No Background
Source GDJ
Non-seamless pattern drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
Don’t look at this one too long if you’re high on something.
Source Luuk van Baars
Brushed aluminum, in a bright gray version. Lovely 2X as well.
Source Andre Schouten
Dark, lines, noise, tactile. You get the drift.
Source Anatoli Nicolae
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
The name alone is awesome, but so is this sweet dark pattern.
Source Federica Pelzel
The first pattern on here using opacity. Try it on a site with a colored background, or even using mixed colors.
Source Nathan Spady
Love me some light mesh on a Monday. Sharp.
Source Wilmotte Bastien
From a drawing in 'Less Black than we're painted', James Payn, 1884.
Source Firkin
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin