Black paper texture, based on two different images.
Source Atle Mo
Based from Design Kindle
From a drawing in 'Real Sailor-Songs', John Ashton, 1891.
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Submitted as a black pattern, I made it light and a few steps more subtle.
Source Andy
A repeating background with seamless texture of stone. There haven't been any stone-like backgrounds for a while, so I have decided to create one more. The rest can be found in the appropriate category.
Source V. Hartikainen
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
Black paper texture, based on two different images.
Source Atle Mo
Based from Design Kindle
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Prismatic Geometric Pattern Variation 2 With Background
Source GDJ
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Colour version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
Drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
Not the Rebel alliance, but a dark textured pattern.
Source Hendrik Lammers
On a large canvas you can see it tiling, but used on smaller areas, it’s beautiful.
Source Paul Phönixweiß
U.S.-based National Fire Protection Association standard fire diamond for flagging risks posed by hazardous materials. The red diamond has a number 0-4 depending on flammability. The blue diamond has a number 0-4 depending on health hazard. The yellow has a number 0-4 depending on reactivity. the white square has a special notice, e.g OX for oxidizer.
Source Firkin
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
Inspired by a drawing seen in 'City of Liverpool', James Picton, 1883.
Source Firkin
I guess this one is inspired by an office. A dark office.
Source Andrés Rigo.