To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a drawing in 'Les Chroniqueurs de l'Histoire de France depuis les origines jusqu'au XVIe siècle', Henriette Witt, 1884.
Source Firkin
Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle
Has nothing to do with toast, but it’s nice and subtle.
Source Pippin Lee
From a drawing in 'Danmarks Riges Historie af J. Steenstrup, Kr. Erslev, A. Heise, V. Mollerup, J. A. Fridericia, E. Holm, A. D. Jørgensen', 1897.
Source Firkin
Remixed from a drawing in 'Analecta Eboracensia', Thomas Widdrington, 1897.
Source Firkin
Submitted as a black pattern, I made it light and a few steps more subtle.
Source Andy
This is so subtle I hope you can see it! Tweak at will.
Source Alexandre Naud
White handmade paper pattern with small bumps.
Source Marquis
Your eyes can trip a bit from looking at this – use it wisely.
Source Michal Chovanec
The Grid. A digital frontier. I tried to picture clusters of information as they traveled through the computer.
Source Haris Šumić
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
A seamless pattern the starting point for which was a 'rainbow twist' texture in Paint.net.
Source Firkin
Hey, you never know when you’ll need a bird pattern, right?
Source Pete Fecteau
With a name like this, it has to be hot. Diagonal lines in light shades.
Source Isaac
Looks like an old wall. I guess that’s it then?
Source Viahorizon
A dark pattern made out of 3×3 circles and a 1px shadow. This works well as a carbon texture or background.
Source Atle Mo
Coming in at 666x666px, this is an evil big pattern, but nice and soft at the same time.
Source Atle Mo
A grid of squares with green colours. Since the colours are randomly distributed it is automatically seamless.
Source Firkin
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
Derived from a drawing in 'Historiske Afhandlinger', Adolf Jorgensen, 1898.
Source Firkin