Remixed from a drawing in 'An Index to Deering's Nottinghamia Vetus et Nova', Rupert Chicken, 1899. The unit tile can be had by selecting the rectangle in Inkscape and using shift-alt-i
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Dark pattern with some nice diagonal stitched lines crossing over.
Source Ashton
From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
The classic 45-degree diagonal line pattern, done right.
Source Jorick van Hees
A nice looking light gray background pattern with diagonal stripes.
Source V. Hartikainen
Background formed from the original with an emboss effect
Source GDJ
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A repeating gloomy background image. This one consists of a pattern of black chains layered on top of a dark textured background.
Source V. Hartikainen
From a drawing in 'Hundert Jahre in Wort und Bild', S. Stefan, 1899.
Source Firkin
The image depicts a seamless pattern made using a bird's face.
Source Yamachem
You were craving more leather, so I whipped this up by scanning a leather jacket.
Source Atle Mo
From a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
Prismatic Polka Dots Mark II 3 No Background
Source GDJ
Pass parameters to the URL or edit the source code variables to configure the graph paper for the division desired.
Source JayNick
Formed by distorting a JPG from PublicDomainPictures
Source Firkin
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
A large pattern with funky shapes and form. An original. Sort of origami-ish.
Source Luuk van Baars
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin