To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Brushed aluminum, in a bright gray version. Lovely 2X as well.
Source Andre Schouten
Prismatic Isometric Cube Wireframe Pattern No Background
Source GDJ
Bigger is better, right? So here you have some large carbon fiber.
Source Factorio.us Collective
An abstract pale yellow paper-like background with stains colored in yellow and green.
Source V. Hartikainen
A repeating background of beige (or is it more vanilla yellow) textured stripes. One more background with stripes.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Dark pattern with some nice diagonal stitched lines crossing over.
Source Ashton
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Remixed from a drawing in 'A Girl in Ten Thousand', Elizabeth Meade, 1896.
Source Firkin
A topographic map like this has actually been requested a few times, so here you go!
Source Sam Feyaerts
Prismatic Abstract Geometric Background 5
Source GDJ
Seamless pattern formed from a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
To celebrate the new feature, we need some sparkling diamonds.
Source Atle Mo
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
From a drawing in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
Derived from a drawing in 'Elfrica. An historical romance of the twelfth century', Charlotte Boger, 1885
Source Firkin
From a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
From a drawing in 'Worsborough; its historical associations and rural attractions', Joseph Wilkinson, 1879.
Source Firkin
Background formed from the original with an emboss effect
Source GDJ
Actually, there's no clouds in it, but I think it looks quite nice.
Source V. Hartikainen
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin