Drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
A criss-cross pattern similar to one I saw mown into a sports field.
Source Firkin
Another fairly simple design drawn in Paint.net and vectorized in Inkscape.
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
An alternative colour scheme to the original seamless pattern.
Source Firkin
As simple and subtle as it gets. But sometimes that’s just what you want.
Source Designova
Number 4 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Medium gray pattern with small strokes to give a weave effect.
Source Catherine
From a drawing in 'Hundert Jahre in Wort und Bild', S. Stefan, 1899.
Source Firkin
Remixed from a drawing in 'A Girl in Ten Thousand', Elizabeth Meade, 1896.
Source Firkin
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Small gradient crosses inside 45-degree boxes, or bigger crosses if you will.
Source Wassim
Light gray grunge wall with a nice texture overlay.
Source Adam Anlauf
If you want png files of this u can download them here : viscious-speed.deviantart.com/gallery/27635117
Source Viscious-Speed
Used a cherry by doctormo to make this seamless pattern
Source Firkin
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Prismatic Geometric Tessellation Pattern 4 No Background
Source GDJ
The tile this fill pattern is based on can be had by using shift+alt+i on the rectangle.
Source Firkin
Vertical lines with a bumpy, yet crisp, feel to it.
Source Raasa
From a drawing in 'Less Black than we're painted', James Payn, 1884.
Source Firkin