Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
A bit like smudged paint or some sort of steel, here is scribble light.
Source Tegan Male
Inspired by a JPG that was uploaded to Pixabay by kokon_art
Source Firkin
A grayscale fabric pattern with vertical lines of stitch holes.
Source V. Hartikainen
Remixed from a design on Pixabay. To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
Prismatic Polka Dots Mark II 3 No Background
Source GDJ
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
More leather, and this time it’s bigger! You know, in case you need that.
Source Elemis
Background pattern made in "Grunge-Like" style. Available in both SVG and JPG formats. Edit to your needs then click the download button.
Source V. Hartikainen
Background Wall, Art Abstract, Block Well & CC0 texture.
Source Ractapopulous
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
This background image has seamless texture that resembles a surface of gray stone.
Source V. Hartikainen
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Prismatic Isometric Cube Wireframe Pattern No Background
Source GDJ
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Prismatic Polka Dots Mark II 2 No Background
Source GDJ
A seamless pattern formed from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin