A seamless pattern formed from a square tile based on a jpg on Pixabay. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
A repeating background of beige paper with vintage look. Repeats to infinity, as usual.
Source V. Hartikainen
Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.
Source Firkin
From a drawing in 'Prose and Verse ', William Linton, 1836.
Source Firkin
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
This is a hot one. Small, sharp and unique.
Source GraphicsWall
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
The original enhanced with one of Inkscapes's filters.
Source Firkin
You don’t see many mid-tone patterns here, but this one is nice.
Source Joel Klein
A seamlessly tileable pink background texture.
Source V. Hartikainen
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Medium gray pattern with small strokes to give a weave effect.
Source Catherine
Greyscale version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
Remixed from a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
I guess this one is inspired by an office. A dark office.
Source Andrés Rigo.
Because I love dark patterns, here is Brushed Alum in a dark coating.
Source Tim Ward
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin