Not the most creative name, but it’s a good all-purpose light background.
Source Dmitry
From a drawing in 'Prose and Verse ', William Linton, 1836.
Source Firkin
From a drawing in 'Hundert Jahre in Wort und Bild', S. Stefan, 1899.
Source Firkin
An alternative colour scheme to the original seamless pattern.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A pattern derived from part of a fractal rendering in Paint.net.
Source Firkin
The image depicts a Japanese Edo pattern called "kanoko or 鹿の子" meaning "fawn" which has a fur with small white spots.
Source Yamachem
Simple combination of stripy squares with their negatively coloured counterparts
Source Firkin
The tile can be had by selecting the rectangle in Inkscape and using shift+alt+i. Remixed from a drawing in 'Flowers of Song', Frederick Weatherly, 1895.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
I’m not going to use the word Retina for all the new patterns, but it just felt right for this one. Huge wood pattern for ya’ll.
Source Atle Mo
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
Cubes as far as your eyes can see. You know, because they tile.
Source Jan Meeus
From a drawing in 'Artists and Arabs', Henry Blackburn, 1868
Source Firkin
Dare I call this a «flat pattern»? Probably not.
Source Dax Kieran
Don’t look at this one too long if you’re high on something.
Source Luuk van Baars
Seamless Prismatic Quadrilateral Line Art Pattern No Background
Source GDJ
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Can’t believe we don’t have this in the collection already! Slick woven pattern with crisp details.
Source Max Rudberg
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin