More carbon fiber for your collections. This time in white or semi-dark gray.
Source Badhon Ebrahim
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
The name is totally random, but hey, it sounds good.
Source Atle Mo
Redrawn based on a drawing in 'По Сѣверо-Западу Россіи' Konstantin Sluchevsky, 1897.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
A seamless background pattern with impressed gray dots.
Source V. Hartikainen
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
A seamless pattern formed from a tile made from ornament 22. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Small dots with minor circles spread across to form a nice mosaic.
Source John Burks
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Prismatic Triangular Background Design Mark II 5
Source GDJ
The name alone is awesome, but so is this sweet dark pattern.
Source Federica Pelzel
Inspired by a pattern I saw in a 19th century book. This seamless pattern was created from a square tile. To get the tile, select the pattern in Inkscape and use shift+alt+i.
Source Firkin
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A free background tile with a pattern of pink bump dots. This background tile is sweet! Moreover, it's designed for use as website backgrounds.
Source V. Hartikainen
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Derived from a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
An alternative colour scheme for the original background.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin