Brushed aluminum, in a bright gray version. Lovely 2X as well.
Source Andre Schouten
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A seamless pattern the starting point for which was a 'colour modulo' texture in Paint.net.
Source Firkin
Derived from an image that was uploaded to Pixabay by starchim01
Source Firkin
A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
This one is so simple, yet so good. And you know it. Has to be in the collection.
Source Gluszczenko
Prismatic Abstract Geometric Background 5
Source GDJ
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
Light honeycomb pattern made up of the classic hexagon shape.
Source Federica Pelzel
The act or state of corrugating or of being corrugated, a wrinkle; fold; furrow; ridge.
Source Anna Litvinuk
From a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
A bit like smudged paint or some sort of steel, here is scribble light.
Source Tegan Male
Prismatic Curved Diamond Pattern 2 No Background
Source GDJ
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
The image is a seamless pattern which is derived from a vine .Consequently, the vine got like dots via vectorization.The original vine is here:jp.pinterest.com/pin/500744052301410188/
Source Yamachem
Hexagonal dark 3D pattern. What more can you ask for?
Source Norbert Levajsics
This beige background pattern resembles a concrete wall with engravings or something similar to it.
Source V. Hartikainen
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Remixed from an image that was uploaded to Pixabay by CatherineClennan
Source Firkin
If you don’t like cream and pixels, you’re in the wrong place.
Source Mizanur Rahman
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
An alternative colour scheme for the original background.
Source Firkin