I’m starting to think I have a concrete wall fetish.
Source Atle Mo
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Prismatic Geometric Pattern Variation 2 With Background
Source GDJ
Prismatic Basic Pattern 2 No Background
Source GDJ
A seamless pattern made from the gold Penrose triangle by GDJ and the two remixes
Source Firkin
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
A free seamless background with pink spots.
Source V. Hartikainen
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Prismatic Groovy Concentric Background No Black
Source GDJ
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
The green fibers pattern will work very well in grayscale as well.
Source Matteo Di Capua
The image depicts a seamless pattern which was made using stripe-like things including borders.I used OCAL cliparts called "Blue Greek Key With Lines Border" uploaded by "GR8DAN" and "daisy border" uploaded by "johnny_automatic".Thanks.
Source Yamachem
Scanned some rice paper and tiled it up for you. Enjoy.
Source Atle Mo
Medium gray pattern with small strokes to give a weave effect.
Source Catherine
Colour version that is close to the original drawing uploaded to Pixabay by pencilparker.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin