A background formed from an image of an old tile on the New York Metropolitan Museum of Art website. To get the base tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
The perfect pattern for all your blogs about type, or type-related matters.
Source Atle Mo
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
ZeroCC tileable moss texture, photographed and made by me. CC0
Source Sojan Janso
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
A free repetitive background with a dark concrete wall like texture. This one may be used in dark web site designs.
Source V. Hartikainen
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
The name tells you it has curves. Oh yes, it does!
Source Peter Chon
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
A subtle shadowed checkered pattern. Increase the lightness for even more subtle sexiness.
Source Josh Green
You know I love paper patterns. Here is one from Stephen. Say thank you!
Source Stephen Gilbert
These dots are already worn for you, so you don’t have to.
Source Matt McDaniel
From a drawing in 'Kingsdene', Maria Fetherstonehaugh, 1878.
Source Firkin
Kaleidoscope Prismatic Abstract No Background
Source GDJ
I’m not going to lie – if you submit something with the words Norwegian and Rose in it, it’s likely I’ll publish it.
Source Fredrik Scheide
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Embossed lines and squares with subtle highlights.
Source Alex Parker