Lovely pattern with splattered vintage speckles.
Source David Pomfret
Inspired by a JPG that was uploaded to Pixabay by kokon_art
Source Firkin
From a drawing in 'Two Women in the Klondike', Mary Hitchcock, 1899.
Source Firkin
Colour version of the original pattern.
Source Firkin
This one is super crisp at 2X. Lined paper with some dust and scratches.
Source HQvectors
A seamless textured paper for backgrounds. Colored in pale orange hues.
Source V. Hartikainen
It’s like Shine Dotted’s sister, only rotated 45 degrees.
Source mediumidee
From a drawing in 'Navigations de Alouys de Cademoste.-La Navigation du Capitaine Pierre Sintre', Alvise da ca da Mosto, 1895.
Source Firkin
From a drawing in 'Les Chroniqueurs de l'Histoire de France depuis les origines jusqu'au XVIe siècle', Henriette Witt, 1884.
Source Firkin
Prismatic Hypnotic Pattern No Background
Source GDJ
Used correctly, this could be nice. Used in a bad way, all hell will break loose.
Source Atle Mo
Prismatic Abstract Geometric Background 4
Source GDJ
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
A very dark asfalt pattern based off of a photo taken with my iPhone.
Source Atle Mo
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
A seamless pattern formed from a sports car on clker.com. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Submitted by DomainsInfo – wtf, right? But hey, a free pattern.
Source DomainsInfo
Spice up your next school project with this icon background.
Source Swetha
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
This reminds me of Game Cube. A nice light 3D cube pattern.
Source Sander Ottens
The name is totally random, but hey, it sounds good.
Source Atle Mo
Adapted from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin