A black tile-able background with paper-like texture.
Source V. Hartikainen
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor
Detailed but still subtle and quite original. Lovely gray shades.
Source Kim Ruddock
This is a semi-dark pattern, sort of linen-y.
Source Sagive SEO
The following free background pattern has glossy diagonal stripes as a texture to it, and it's colored in a light blue gray color. This background pattern is suitable for using in web design or any other graphic design projects. This applies to all background patterns here.
Source V. Hartikainen
Sometimes you just need the simplest thing.
Source Fabricio
Colorful Floral Background No Black
Source GDJ
Zero CC tileable brick texture, photographed and made by me. CC0
Source Sojan Janso
A very dark spotted twinkle pattern for your twinkle needs.
Source Badhon Ebrahim
A seamless pattern with wide vertical stripes colored in pale yellow.
Source V. Hartikainen
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
A bit of scratched up grayness. Always good.
Source Dmitry
A free seamless background image with abstract texture of green "curtain".
Source V. Hartikainen
Based on several public domain drawings on Wikimedia Commons. This was formed from a rectangular tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i
Source Firkin
Medium gray fabric pattern with 45-degree lines going across.
Source Atle Mo
Not the Rebel alliance, but a dark textured pattern.
Source Hendrik Lammers
Inspired by a pattern found in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Redrawn based on a drawing in 'По Сѣверо-Западу Россіи' Konstantin Sluchevsky, 1897.
Source Firkin
CC0 and seamless wellington boot pattern.
Source SliverKnight
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin