You know I’m a sucker for these. Well-crafted paper pattern.
Source Mihaela Hinayon
Pattern that came out of playing with the 'slinky' plug-in for Paint.net
Source Firkin
Prismatic Triangular Background Design Mark II 5
Source GDJ
Prismatic Isometric Cube Extra Pattern No Background
Source GDJ
This is a semi-dark pattern, sort of linen-y.
Source Sagive SEO
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Black version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
Seamless pattern the basic tile for which can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
This beige background pattern resembles a concrete wall with engravings or something similar to it.
Source V. Hartikainen
Recreated from a pattern found in 'Az Osztrák-Magyar Monarchia irásban és képben', 1882. To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Horizontal and vertical lines on a light gray background.
Source Adam Anlauf
Remixed from a design seen on Pixabay. The basic tile can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
This is so subtle: We’re talking 1% opacity. Get your squint on!
Source Atle Mo
Derived from an image that was uploaded to Pixabay by starchim01
Source Firkin
Paper pattern with small dust particles and 45-degree strokes.
Source Atle Mo
Black And White Floral Pattern Background Inverse
Source GDJ
An alternative colour scheme to the original seamless pattern.
Source Firkin
With a name like this, it has to be hot. Diagonal lines in light shades.
Source Isaac
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Very simple, very blu(e). Subtle and nice.
Source Seb Jachec