A lovely light gray pattern with stripes and a dash of noise.
Source V. Hartikainen
This was formed by distorting an image of a background on Pixabay.
Source Firkin
Colour version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
White circles connecting on a light gray background.
Source Mark Collins
Prismatic Abstract Background Design No Black
Source GDJ
The tile this is based on was adapted from an image that was uploaded to Pixabay by frolicsomepl. It can be had in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
An abstract texture of black metal pipes (seamless).
Source V. Hartikainen
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
This is the remix of "polka dot seamless pattern".The image depicts polka dot seamless pattern.
Source Yamachem
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
An emulated “transparent” background pattern, like that of all kinds of computer graphics software.
Source AdamStanislav
Hexagonal dark 3D pattern. What more can you ask for?
Source Norbert Levajsics
Remixed from a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
This background has abstract texture with some similarities to wood.
Source V. Hartikainen
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
Stefan is hard at work, this time with a funky pattern of squares.
Source Stefan Aleksić
A criss-cross pattern similar to one I saw mown into a sports field.
Source Firkin
Background pattern originally a PNG drawn in Paint.net
Source Firkin
Prismatic Groovy Concentric Background 5
Source GDJ
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin