More Textures
Zig-zag pattern #2418
 Grid  CC 0

A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.

Source Firkin

Pinetree in tortoiseshell(亀甲松) #2538
 Dark  CC 0

The image depicts a seamless pattern of Japanese Edo pattern called "kikkou-matsu" or "亀甲松" meaning " tortoiseshell-pinetree".The real pinetree is like this: https://jp.pinterest.com/pin/500744052301065077/

Source Yamachem

Colourful bricks pattern (no background) #265
 Noise  CC 0

Original minus the background

Source Firkin

Background pattern 239 (colour 2) #2216
 Red  CC 0

To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Prismatic Curved Diamond Pattern 2 No Background@2X #539
 Diamond  CC 0

Prismatic Curved Diamond Pattern 2 No Background

Source GDJ

Subtle Orange Emboss #97
 Light  CC BY-SA 3.0

A hint of orange color, and some crossed and embossed lines.

Source Adam Anlauf

Background pattern 115-seamless pattern #2514
 Blue  CC 0

This is the remix of "Background pattern 115" uploaded by "Firkin".Thanks.

Source Yamachem

Background pattern 225 (colour 2) #2326
 Yellow  CC 0

Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.

Source Firkin

Background pattern 24 #198
 Dark  CC 0

The starting point for this was a texture drawn with the 'Radial Colors' plug-in in Paint.net.

Source Firkin

Soft Wallpaper #95
 Wall  CC BY-SA 3.0

Coming in at 666x666px, this is an evil big pattern, but nice and soft at the same time.

Source Atle Mo

Concrete Wall 2@2X #80
 Wall  CC BY-SA 3.0

A light gray wall or floor (you decide) of concrete.

Source Atle Mo

Prismatic Groovy Concentric Background 2 No Black@2X #456
 Noise  CC 0

Prismatic Groovy Concentric Background 2 No Black

Source GDJ

Background pattern 117 #524
 Noise  CC 0

A seamless pattern drawn originally in Paint.net by distorting a slice of background pattern 116 and copying the resulting triangle numerous times.

Source Firkin