A textured orange background pattern with vertical stripes.
Source V. Hartikainen
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Uses spirals from Pixabay. To get the basic tile select the rectangle in Inkscape and use shift+alt+i
Source Firkin
White circles connecting on a light gray background.
Source Mark Collins
Remixed from a design seen on Pixabay. The basic tile can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
No relation to the band, but damn it’s subtle!
Source Thomas Myrman
And some more testing, this time with Seamless Studio. It’s Robots FFS!
Source Seamless Studio
Seamless Prismatic Geometric Pattern With Background
Source GDJ
Prismatic Geometric Pattern Background
Source GDJ
This seamless web background texture looks like gray stone. It's great for using as a background image on web pages, or on some of their elements. Anyway, I hope you will find use for it.
Source V. Hartikainen
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Prismatic Abstract Geometric Background 5
Source GDJ
A seamless pattern formed from a sports car on clker.com. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
And some more testing, this time with Seamless Studio. It’s Robots FFS!
Source Seamless Studio
The classic notebook paper with horizontal stripes.
Source Are Sundnes
From a drawing in 'Friend or Fortune? The story of a strange year', Robert Overton, 1897.
Source Firkin