Number 4 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
This white background pattern has a seamless grunge style texture. Here's a white grunge style background pattern. Use it as a tiled background image on web sites or for other purposes.
Source V. Hartikainen
Detailed but still subtle and quite original. Lovely gray shades.
Source Kim Ruddock
Prismatic Hypnotic Pattern 2 No Background
Source GDJ
The classic notebook paper with horizontal stripes.
Source Are Sundnes
A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Paper model of a tetrahedron. Modelo de papel de um tetraedro.
Source laobc
Dark Tile-able Grunge Texture. I think this texture can be classified as grunge. It's free and seamless, as always.
Source V. Hartikainen
From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
The tile this fill pattern is based on can be had by using shift+alt+i on the rectangle.
Source Firkin
The image is a seamless pattern of a fishnet.
Source Yamachem
Seamless pattern made from a tile that can be obtained in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Here's a repeatable texture that resembles a light green concrete wall or something similar.
Source V. Hartikainen
Retro Circles Background 7 No Black
Source GDJ
Tiny little fibers making a soft and sweet look.
Source Badhon Ebrahim
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i
Source Firkin
Lovely pattern with some good-looking non-random noise lines.
Source Zucx
Drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
Prismatic Groovy Concentric Background 2
Source GDJ
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin