Number 4 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Prismatic Snowflakes Pattern No Background
Source GDJ
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Zero CC tileable seed texture, edited by me to be seamless from a Pixabay image. CC0
Source Sojan Janso
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Sharp diamond pattern. A small 24x18px tile.
Source Tom Neal
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
From a drawing in 'An Old Maid's Love. A Dutch tale told in English', Maarten Maartens, 1891.
Source Firkin
Remixed from an image that was uploaded to Pixabay by Pixeline
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Pixel by pixel, sharp and clean. Very light pattern with clear lines.
Source M.Ashok
Luxury pattern, looking like it came right out of Paris.
Source Daniel Beaton
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857
Source Firkin
Zero CC tileable hard cover cells book texture, 4k, scanned and made by me. CC0
Source Sojan Janso
Dark pattern with some nice diagonal stitched lines crossing over.
Source Ashton
A bit of scratched up grayness. Always good.
Source Dmitry
Prismatic Groovy Concentric Background 2 No Black
Source GDJ
Derived from a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Number 5 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin