Number 2 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
More tactile goodness. This time in the form of some rough cloth.
Source Bartosz Kaszubowski
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
You just can’t get enough of the fabric patterns, so here is one more for your collection.
Source Krisp Designs
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
Zero CC tileable hard cover cells, skin like, book texture. 4K, Scanned and made by me CC0
Source Sojan Janso
Prismatic Abstract Line Art Pattern Background
Source GDJ
Prismatic Hypnotic Pattern No Background
Source GDJ
Could be paper, could be a Polaroid frame – up to you!
Source Chaos
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
Small gradient crosses inside 45-degree boxes, or bigger crosses if you will.
Source Wassim
Original minus the background
Source Firkin
From drawing in 'Musings in Maoriland', Thomas Bracken, 1890.
Source Firkin
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin
A grid of squares with green colours. Since the colours are randomly distributed it is automatically seamless.
Source Firkin
A chequerboard pattern with a fruit theme. The fruits are from a posting by inkscapeforum.it.
Source Firkin
An emulated “transparent” background pattern, like that of all kinds of computer graphics software.
Source AdamStanislav
Not strictly seamless in that opposite edges are not identical. But they do marry up to make an interesting pattern
Source Firkin
Derived from an image that was uploaded to Pixabay by darkmoon1968
Source Firkin
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
From a drawing in 'Kingsdene', Maria Fetherstonehaugh, 1878.
Source Firkin