Paper pattern with small dust particles and 45-degree strokes.
Source Atle Mo
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
Greyscale version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
Bigger is better, right? So here you have some large carbon fiber.
Source Factorio.us Collective
Remixed from a raster on Pixabay that was uploaded by ArtsyBee.
Source Firkin
Hey, you never know when you’ll need a bird pattern, right?
Source Pete Fecteau
Dare I call this a «flat pattern»? Probably not.
Source Dax Kieran
Remixed from an image that was uploaded to Pixabay by KirstenStar
Source Firkin
This background texture resembles stone. It may be used as a background on web pages or on some of their html elements (header, borders, menu bar, etc.). Just modify it for your needs.
Source V. Hartikainen
Love me some light mesh on a Monday. Sharp.
Source Wilmotte Bastien
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
A light gray background pattern with seamless fabric-like texture and almost unnoticeable stripes.
Source V. Hartikainen
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
This one is super crisp at 2X. Lined paper with some dust and scratches.
Source HQvectors
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Dark blue concrete wall with some small dust spots.
Source Atle Mo
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
Not strictly seamless in that opposite edges are not identical. But they do marry up to make an interesting pattern
Source Firkin
Might not be super subtle, but quite original in its form.
Source Alex Smith
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev