Your eyes can trip a bit from looking at this – use it wisely.
Source Michal Chovanec
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Dark Tile-able Grunge Texture. I think this texture can be classified as grunge. It's free and seamless, as always.
Source V. Hartikainen
Sweet and subtle white plaster with hints of noise and grunge.
Source Phil Maurer
Light square grid pattern, great for a “DIY projects” sort of website, maybe?
Source Rafael Almeida
On a large canvas you can see it tiling, but used on smaller areas, it’s beautiful.
Source Paul Phönixweiß
Remixed from a drawing in 'A Girl in Ten Thousand', Elizabeth Meade, 1896.
Source Firkin
Farmer could be some sort of fabric pattern, with a hint of green.
Source Fabian Schultz
A free background pattern with abstract green tiles.
Source V. Hartikainen
Colourful background achieved with gradient fills.
Source Firkin
This is so subtle I hope you can see it! Tweak at will.
Source Alexandre Naud
Prismatic Snowflakes Pattern 2 No Background
Source GDJ
Pattern that came out of playing with the 'slinky' plug-in for Paint.net
Source Firkin
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Dark, square, clean and tidy. What more can you ask for?
Source Jaromír Kavan
Light gray paper pattern with small traces of fiber and some dust.
Source Atle Mo
A seamless pattern formed from a square tile based on a jpg on Pixabay. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
This is a remix of "flower seamless pattern".I rotated the original image by 90 degrees.This is a seamless pattern of flowers.These horizontal wavy lines are one of Edo patterns which is called "tatewaku or tachiwaku or 立湧" that represents uprising steam or vapor.
Source Yamachem
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin