We have some linen patterns here, but none that are stressed. Until now.
Source Jordan Pittman
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Here's a brown background pattern with subtle stripes. I hope you'll like the color. If not, feel free to change it using an image editor, if you know how of course. Personally, I'm using GIMP to create these backgrounds.
Source V. Hartikainen
Inspired by a pattern found in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Remixed from a drawing in 'Kulturgeschichte der Deutschen im Mittelalter' Franz von Loeher, 1891. The unit tile can be had by selecting the rectangle in Inkscape and using shift-alt-i
Source Firkin
Prismatic Polka Dots Mark II 3 No Background
Source GDJ
A light gray wall or floor (you decide) of concrete.
Source Atle Mo
A pale olive green background with a seamless texture.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
A background pattern with green vertical stripes. A new striped background pattern. This time a green one.
Source V. Hartikainen
Awesome name, great pattern. Who does not love space?
Source Nick Batchelor
Classy golf-pants pattern, or crossed stripes if you will.
Source Will Monson
If you’re sick of the fancy 3D, grunge and noisy patterns, take a look at this flat 2D brick wall.
Source Listvetra
Super subtle indeed, a medium gray pattern with tiny dots in a grid.
Source Designova
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Alternative colour scheme for the original floral pattern.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin